“In the spring or early summer of 1912, ‘H.D’, Richard Aldington, and myself decided we were agreed upon the three principles following:
(1) Direct treatment of the ‘thing’ whether subjective or objective.
(2) To use absolutely no word that does not contribute to the presentation.
(3) As regarding rhythm: to compose in the sequence of the musical phrase, not in the sequence of a metronome.”
These, and many other lessons on poetics, were taught by Ted (WorDoctor) Dyck, in the mid eighties. In addition to myself the workshop participants where Mick Burrs, Anne Campbell, Gerald Hill, Elizabeth Phillips, Bruce Rice, Susan Rodning, Jerry Rush, Brenda Riches, Susan Andrews and Paul Wilson.